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“If you think you know what classical music sounds like, think again. Nagorcka’s music seems to exist in its own specific universe, perplexing and distinct...yet precise and somehow universal.”
— babysue.com - about the album Song of the Central Tree 2016

“beautiful harmonies ... deeply satisfying ... repays repeated listening”
— Roz Cheney, Sounds Australian Journal

“sensuous rather than cerebral … most rewarding … strongly recommended”
— Peter Larsen, 3MBS Libretto

“wonderful in the balancing of ecological and musical structures. Nagorcka has a very sensitive ear for nature.”
— Pauline Oliveros, New York

“wondrous ... the most Tasmanian [non-indigenous] music I have ever heard.”
— Peter Sculthorpe, Composer

“brilliantly effective electronic manipulation ... fascinating ... unique.”
— New Classics, UK

“a unique, innovative and distinctive voice.”
— Larry Polansky, Performer and Composer

“his work with environmental sound, alternative tuning systems, and computer technology is on a par with the most advanced work in these fields anywhere.”
— Warren Burt, Composer

“passionate, reflective, modern and witty.”
— Jack Hibberd, Playwright

“musical, strong, sensitive and fun.”
— Bonnie Barnett, KLXU Los Angeles

“The constant and delightful thread of sounds weaving throughout this CD [‘Devils of the Night’] is the representation of animal, bird and environmental sounds. They keep the heart of the land always at the forefront of attention.”
— Elizabeth Scarlett, Artstreams